Miyazaki responded: “To have a film where there’s an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that’s one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it’s not very pleasant to draw evil figures. So I decided against evil figures in my films.”
One reason for fascination with Miyazaki may be his contradictions. The director whose films typically end with an uplifting affirmation of humanity suitable for children is the same director who told his Berkeley audience, “It would be wonderful if I could see the end of civilization during my lifetime.” The man who is able to entrance children, and adults, with his animation is the same one who complains about children spending too much time with virtual reality instead of being outdoors in nature.